Gatsby 2.0
The newest interpretation of The Great Gatsby is the cinematic equivalent of a peanut butter and pickle sandwich. Disgusting to some, intriguing to others. Only a select few have the palate for it, and even for those few it’s an acquired taste. The first half is stylistically masturbatory on Baz Luhrmann‘s part. The special effects are distracting and superfluous. On [...]
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