Tag Archives: Killer Inside

The Walking Dead Recap/Review: “Killer Inside”

If you’re new to the Interwebz, I suppose you wouldn’t know that I’m about to talk all up on the latest episode of The Walking Dead. So, here’s your warning. Also, go crawl back under your rock. SPOILERS!

I don’t want my son to have to shoot me in the head. Is that too much to ask? I don’t think so. After last night’s episode, I told my husband that he better do the deed. I don’t want my son to put me down. No, thank you.

Holy crap! What an emotional episode! Lori’s dead, T-Dog’s dead, we don’t know if Carol made it, and there’s a newborn who will soon be a itsy bitsy walker (crawler?) if they don’t find some way to feed her.

I am not ashamed to say that I cried during “Killer Inside.”

Let’s start from the top, shall we?

A mysterious hunter drags a dead dear by the camera. Gross. You can’t see the hunter’s face, but the pants look like the lower part of the prison coveralls. Next, we see the coveralls leaving parts of the dear around what looks to be the prison yard. A couple of walkers take the bait, and coveralls dashes past them to hack open a chained fence. He places a bloody heart in the opened gate, the music comes up and under and they cut to the opening credits.


Rick and the others (minus Lori, Carl, Beth, and Hershel) are trying to get the prison yard more organized. They want to get the vehicles arranged in case they need to make a speedy getaway, and the walker bodies strewn about need to be dealt with. So, they busy themselves, tidying up what is to become their safe home.

Before they start, however, they invite Glenn and Maggie to join them. The couple has been using the guard tower for a little bom-chicka-wow-wow, and Glenn exits tugging on his pants, this show’s only brief moment of levity.

The two remaining prisoners, Oscar and Axel, approach the group, asking to amend their deal. They’re literally sick of living in the other cell block alone, having to deal with all the bodies of their former friends. After a short discussion, T-Dog voices his favor of allowing the men to join them. Rick remains firm, though, and tells the prisoners they can stick to the deal or hit the road. Go, New Shane!

The prisoners decide the road would be better, and preparations to see them on their way begin.

Back in home sweet Cell Block C home, Hershel is starting to get up and hobble around on crutches. That should mean that a couple of weeks have passed, but I’m not so sure that’s the case judging from Andrea and Michonne’s story arc in scary, too-good-to-be-true-why-the-heck-won’t-Andrea-listen-to-Michonne Woodbury. But, more on them later.

The proverbial crap hits the not so proverbial prison when a siren starts to sound at the prison. Suddenly, walkers are everywhere, drawn by the sound. But, not only are they gathering on the outside of the prison fence, but, inexplicably, walkers are now swarming the inside of the prison as well, most likely due to the cold open of coveralls opening the gate. Plus, I’m thinking that other doors and fences all around and in the prison were intentionally opened to let in the dead.

By this time, Hershel’s little hobble walk has taken him, Lori, Carl, and Beth out into the yard. Of course, they don’t see the walkers until the shambling dead are almost upon them. And the siren didn’t start to sound until they were outside the relative safety of their cell block. Of course!

Rick, Daryl, Glenn, Maggie, T-Dog, and Carol rush back to the prison yard followed by the prisoners.

“Lori!” Rick yells, scared for his wife. And, I’m so glad! The episode before last had the pair at distinct odds, and Lori was sure their marriage was over.

Rick’s group starts shooting and cutting down walkers, and the prisoners hang back. I mean, you can’t blame them, though. It’s not like they have any weapons! The two seem to be good eggs, but I know you’re supposed to be doubtful. After all, someone had to let the walkers in and turn on the siren. And that someone definitely had prison coveralls on!

Rick must think like me because he immediately starts to suspect the prisoners. But, at the moment, there are more pressing matters trying to eat his loved ones. Oscar and Axel deny any involvement with the siren and influx of walkers, but Oscar offers that someone must have turned on the back up generator. After shooting out the nearest siren speakers, Rick and several others head inside to find the generator.

In the craziness, the group is scattered and separated. Hershel and Beth barely make it into a fenced in area around a door. Maggie, Lori, and Carl escape back to the cell block only to find it overrun! They turn into the bowels of the prison, desperately trying to find a safe haven. Walkers are everywhere!

Then, Lori starts to go into labor.


Of course you’re not kidding me, AMC. You like to see me like this, you sadistic creep!

Carl finds a safe room, and Maggie prepares to help Lori deliver. But, something goes very wrong and Lori starts bleeding out of her hoo-hoo. I’ve given birth before, and I’m pretty sure blood before a kid is a bad thing. Yeah, it is.

Lori tells Maggie that she’s going to have to cut her open and get the baby out. It’s the only way to save the baby. You get the feeling that if Maggie doesn’t cut the baby out, Lori will probably die anyway. Eeesh. Maggie doesn’t want to, of course. Who would? She wasn’t even the one who was practicing for this! Carol was! Oh, Carol where are you?

T-Dog, look behind you! Nooooo! Image courtesy of AMC.

Carol and T-Dog are also in the prison after escaping the walker-infested yard. But, T-Dog’s been bitten; a walker nailed him right before he and Carol ran inside. Now, they are trying to find a place to hide. T-Dog’s struggling, but he hasn’t turned and is determined to get Carol to safety. It’s dark and the lights are flickering in a very horror movie-esque manner, and we see a pair of approaching walkers’ shadows trundling toward them. With a yell, T-Dog barrels into the two walkers, moving them out of the way to let Carol escape through a nearby door.

It was very heroic, especially for a character who didn’t have a real name or ANY KIND of a back story. You were robbed, T-Dog. Rest in pieces.


Meanwhile in Woodbury, Michonne is busy not trusting the Governor (TG). She wanders around the new military vehicles that TG and his men brought back, noticing bullet holes and looking suspicious. TG approaches her, obviously trying to win her over. Honey Badger Michonne don’t care. The women are about to leave, anyway.

Andrea, on the other hand, is getting to be more and more all about TG. She has drinks with him, and he reveals that his real name is Phillip. Aww! So, he’s totally a good guy, now, right? Too bad she and Michonne are leaving…

Not really. They aren’t leaving, of course. Andrea wants to stay for a couple more days. Michonne doesn’t, but for some reason, she hangs around to be with Andrea.


Andrea meets Merle and hands over a map. She’s circled where the farm is and confides that she’d want someone to do the same thing if her sister was still alive. They bond over hurt feelings of being left behind and then Merle, ever the gentleman, propositions her. Classy! She brushes it off and walks away. He leers.

Merle then approaches TG, asking to take a couple of men to look for Daryl. TG doesn’t want him to go, saying that Merle is needed in Woodbury. However, if Merle were to get more concrete information about Daryl, TG himself would join the search party.


Rick, Daryl, Glenn, Oscar and Axel are on a mad dash to find the back up generator. They have to get the power off, so the siren will stop. Once they reach the room where the generator is, Rick begins to wildly search for the right switch.

WATCH OUT, RICK! It’s Andrew, the prisoner we all thought was dead after Rick left him locked outside with a bunch of walkers! Andrew is a bit upset and tries to chop Rick with an ax. He misses, and Rick tries to shoot him. Rick misses. WHAT’S THE PROBLEM, NEW SHANE? GET IT DONE!

Andrew is the one who has been causing all the trouble, opening gates, letting in walkers, and turning on the power and siren. There’s a scuffle, and Rick’s gun goes flying. Before either of them can pick it up, Oscar grabs it. Andrew yells for Oscar to shoot Rick, letting the prisoners take back their prison. A brief, nail-biting hesitation later, Oscar blows Andrew away. SHWEW! Close one, New Shane.

Rick finds the right switch with Oscar’s help and turns off the power. Then, they all rush back out to the yard.

Lori proves that she’s a good mother, after all. Image courtesy of AMC.

Back in the delivery room, Lori is trying to convince Maggie to cut her open. After she does, Lori proves that she can be a decent mother and turns her full loving attention to Carl. She tells him that he is “good” and to not let this terrible new world change him. He must watch over Rick and his new baby brother or sister. They’re all crying. I’m crying. I think my husband was crying.


Lori holds Carl, and I’m still crying. I’m holding my sleeping, seven-month-old daughter, who I had by c-section. I’m crying. Gosh.

Then, it’s time, and Maggie takes Carl’s knife (CARL’S KNIFE), and cuts along the underside of Lori’s big belly, tracing over the c-section scar left from Carl’s birth. Lori cries out in pain but tries to hold it in before finally passing out. Maggie delivers the baby with assistance from Carl and works to get the child to breathe. A small shaky cry confirms the baby is going to live (at least for a short time), and Carl gives Maggie his shirt to wrap up the baby.

Maggie turns to leave, but stops when Carl says, “We can’t leave her here like this! She’ll turn!”

It’s utterly heart breaking.

Maggie tries to give the baby to Carl, so she can take care of Lori, but Carl refuses.

“She’s my mother,” he says.


Maggie peeks out the door, sees some walkers and closes it again. Then, she hears a gunshot, and Carl comes around the corner looking completely numb. He’s just shot his mother. HE JUST SHOT HIS MOTHER! I can’t believe Maggie let him do it! She should have done it!

Cut back to the prison yard as Rick and the others make it back. He rushes over to where Hershel and Beth are still in the fenced in area, asking where everyone is. Then, he hears a baby cry and turns to see Maggie clutching his daughter to her. Carl follows with his head down.

It doesn’t take Rick long to figure out what has happened. He starts in after Lori, but Maggie confirms that it’s too late. Rick appropriately loses it, and I’m totally fine with that except for one thing: Carl. Rick should have gone to his son. True, we don’t know for sure if Rick was aware that Carl shot Lori, but he had to know the immense trauma his son had just experienced. The boy’s mother had just died, and Rick can’t give him a hug?

Bad form.

That’s where “Killer Inside” ended. It was abrupt, terrible and awfully good television.

“Killer Inside” could have several different meanings. The first one that occurred to me was Lori’s baby. Maybe it’s because I recently just had my second child, but I couldn’t help but think that this child could be seen as a kind of killer. After all, it’s her fault her mother is dead. Rick looked to be in pretty bad shape at the end of the show. Let’s hope he doesn’t blame the baby.

The more obvious meaning refers to Andrew, the man who turned on the power and let in all the walkers. That’s pretty self-explanatory.

Then, there’s Rick. None of last night’s calamities would have befallen the prison group if he had not abandoned Andrew to the walkers in the first place. It’s all on his head, and it looks like he knows it judging from the preview for next week’s show.

What did you think of “Killer Inside?” Were there any other killers inside? Let me know in the comments!


((Featured image courtesy of AMC and found at http://blogs.amctv.com/photo-galleries/the-walking-dead-season-3-episode-photos/episode-4-glenn-daryl-rick.php.))

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