Tag Archives: Oscar

The Oscar goes to…Oh Yeah, That Guy Again

 

Image courtesy of Wikimedia

Image courtesy of Wikimedia

 

Last month’s 85th annual Academy Awards really have me thinking. First, I’ve been thinking about all of the hilarious reaction to Seth Macfarlane being Seth Macfarlane, and doing a song about actresses going topless in various films. Come on folks, Macfarlane does gross out, irreverent humor in various media for millions of dollars. His work is now so prevalent and commonplace that he lacks the ability to surprise us by offending our delicate sensibilities. The hat is old, and I think we should move on.

While I enjoyed Macfarlane, the second thing the Oscars brought to mind was the current group of directors in Hollywood. I know that for years we have all griped about the hashing and rehashing of the same tired plots starring the same actors. We complain of over grown budgets and undergrown stories. When the best director award passed over Steven Spielberg in favor of Ang Lee much in the same fashion as it did in 2006, I could not help but wonder “are there only 6 directors in Hollywood?”

What seems more likely is of the highest profile directors there are only 6 types:

Disclaimer  The people on this list would probably fall into many of the other categories, and I am certain I skipped a great many in each group. If I snubbed your favorite, I apologize.

The Old Guard:

Once upon a time, each of these now-famous film makers were outsiders; now each is a  tried and true trophy winner. Directors who can take any chunk of coal and produce a diamond simply by attaching their weighty name. Steven Spielberg, Martin Scorsese, Francis Ford Coppola etc.  These are the guys on the wishlist of every writer, and many actors. It seems that every year one of the numerous people on this list are either nominated for best director or receiving some type of lifetime achievement award.

I was an okay actor, but am a much better director:Ron Howard

Meathead, Laverne, and Opie are among the greatest directors of a generation. Ron Howard is probably the most successful of this group, and his position is aided by the fact that he was a child actor who worked very little as an adult. Rob Reiner, Penny Marshal, and recent addition Ben Affleck are great examples of people who did less than meaningful work as actors but have turned in stellar work from behind the camera.

Freaks and Geeks:

Movie and comic book geeks seem to make the best directors to head up recent film adaptations of some of our beloved childhood properties. Because of their special connection to the material and their dedication to making movies they as fans would want to see these directors deliver time and again to some of the most difficult fan bases: Sam Raimi,  Brian Singer, Joss Whedon, J.J. Abrams. Just hearing their names attached to a project can bring a sigh of relief to most hardcore  fans.

The Epics:

Sometimes these are at odds with the group immediately above. Directors in this group sometimes forgo the subtleties and nuances of  the source material to produce a script with a, how should I put this? A bit more BOOOOOOOM: Joel Schumacher, the man who almost killed Batman; Ridley Scott, whose work runs the gamut between indecipherable and gut checking action; and James Cameron. They are the successors to famous Hollywood archetypes like Cecil B. Demille. The king of them all is Michael Bay, who has managed on more than one occasion to combine his love of  ‘splosions and his dedication to making a film fans can enjoy.

The Writer Directors:

Quentin Tarantino, M. Night Shyamalan, Steven Soderbergh, Ang Lee, Woody Allen. Most directors have tried their hand at writing, and a lot of writers would rather direct their own work. While many of those listed above and many others that fit this category have directed works written by others, the majority of their success comes from directing their own scripts. Much like singer-songwriters, this is often the perfect marriage of concept and director.

The Trilogy Makers:

Peter Jackson, Christopher Nolan, George Lucas. Ever try to tell a story? Ever have to stop one-third of the way through due to time constraints, then pick it back up later? This is how I imagine the mind of the Trilogy Makers. Whenever a story is too big to tell in one film these are the guys to call. Often it means slow playing the first film, overdoing the action in the second, and cramming a resolution into the third.

 

Sure, some of these directors fall into more than one category, but the point is pretty solid. Hollywood is in desperate need of new blood. Not just for directors, but in many other aspects of the group mosaic that is a well-made film. The only answer is to stop going to see tired plots and worn out concepts from the  same directors and actors. Right? I mean if we do not respect the position we hold as consumers how can we expect the film makers to do so?  And furthermore… Sorry, I lost track of time…I will finish this later. I am catching a matinee of the new Die Hard.

 

 

 

 

 

 

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The Walking Dead: An Eye For An Eye

Yesterday, AMC released the midseason poster for The Walking Dead. Behold!

WDmidseasonposter

Image courtesy of AMC

If you’re into the comics at all, you know that Rick isn’t likely to lose an eye. (Unless the showrunners take us for a little ride away from the original story!) But, I love how the poster art cuts his face in half to hide his left eye! (Not so for the larger graphic that we used as a featured image, but you get the idea.)

Retribution and revenge is sure to be on the slate for the second half of this season. You knew it was coming, but the use of “An Eye For An Eye” definitely confirms it.

Let’s review a little bit, shall we? Michonne re-killed The Governor’s (TG) dead daughter, Penny; TG found out that Merle lied about Michonne’s death; Andrea will probably be stupid and want some kind of comeuppance for Michonne’s actions (re-killing Penny and stabbing TG in the eye with a shard of glass); Glenn and Maggie were held and tortured in the bowels of Woodbury; Rick, Daryl, and Oscar (RIP…such a shame AMC will only allow one major black guy on the show at a time. Since Tyreese and company arrived at the prison, Oscar had to be offed.) rescued Glenn and Maggie; some Woodbury folks were killed during the rescue.

And so much more! Check out my recaps for more goodies.

TG is obviously going to reveal his evilness. I mean, we all knew he was a bad seed, right? Walker heads in fish tanks, slaughtering soldiers, doling out death sentences…tends to make me think he’s a pretty bad dude.

But, there was always something holding him back from complete evil: Penny. His undying hope that his dead daughter could somehow be saved or taught to be un-walker-y kept him in line. Now that she’s gone for good, there will be nothing standing in the way of TG’s complete spiral downward.

I CAN’T WAIT!

The Walking Dead returns Feb. 10 at 9 p.m. on AMC.

 

[[Featured image courtesy of The Walking Dead Facebook page]]

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The Walking Dead Recap/Review: “When The Dead Come Knocking”

The new fake James Bond movie has a great Bond Girl. Did you hear about her name? It’s SPOILERS Galore.

Little Ass-Kicker got a real name this week! I’m okay with the fact that a newborn now sounds like at 54 year old woman. Really, I am. Judith will fit right in, I’m sure, pulling her weight as soon as she’s able to lift some kind of pointy object. (How cute would a baby katana be? Squeee!)

“When The Dead Come Knocking” was an “in-between” episode. Not a whole lot happened plot-wise, but it served to set up the mid-season finale, positioning main characters in various dramatic story arcs. You will no doubt hear my angry yells next week when the show comes to a close, and everything is up in the air. I’ve already singled out a couch pillow to scream in so I don’t wake up my kids.

I’m such a good mother.

The episode starts with Merle beating the crap out of Glenn in a basement/cellar somewhere in Woodbury. Merle’s got that knife/stump cover on his right hand, and as I was watching him punch Glenn, my mind wandered. (This show paid special attention to gory details this week, and I had to look away more than once, so I had the time. It was definitely more blood and guts than normal, and I’m chalking it up to the lack of actual story. Sure, some stuff happened, but it seemed like they didn’t have quite enough to fill the hour.) Was Merle left-handed to begin with? He didn’t seem to have any trouble pounding Glenn with his left hand. Huh.

Merle wants to know where Daryl, Rick, and the others are. Glenn is duct taped to a chair, unable to fight back, of course, but he’s manfully keeping his trap shut about important details. Finally, goaded into answering, Glenn tells Merle that his people will come looking for him, and he mentions Daryl, Rick, and…Andrea. Merle gets a huge, nasty smile on his face because he knows Andrea’s in Woodbury, dancing to The Governor’s (TG) tune. Glenn realizes that he’s stepped in it, and the beating continues.

Maggie is in the next room, and she can clearly hear what’s going on. She looks terrified, and you can tell things are not going to end well.

Help me, Obi-Wan-Rick! You’re my only hope! Image courtesy of AMC.

Back at the prison, Rick and Michonne are still giving each other the disbelieving stink eye. She’s on the outside of the prison fences, camouflaged with walker guts. But, they’re old walker guts and are apparently losing their potency, because the walker next to her suddenly turns and sniffs at her. Deciding she’d be tasty, he lurches forward. Michonne backs away, drawing her sword, but other walkers catch on and start to surround her. After dispatching several, Michonne falls to the ground, weakened by her gunshot wound (on her thigh. Thanks, Merle.)! Then, she passes out!

Oh, no!

But, Rick and co. can’t leave her to be eaten. Carl shoots walkers that are about to rip into Michonne, and Rick comes out to clear off more before scooping up the wounded woman and taking her back to the prison. Carl grabs the shopping basket of baby formula and Michonne’s things.

Michonne comes to in the prison common room, just outside the group’s cell block home. Rick asks for her name, but she stays silent. He tells her that they’ll see to her wound, give her provisions, and send her on her way…after she answers some questions. Michonne, who has the look of a trapped wild animal about her eyes, thinks she’s traded one prison (Woodbury) for another. (I came to this conclusion after they shot her –with the camera, silly!– through the prison bars.)

Daryl draws Rick away with news, and they go back into the cell block, leaving Michonne.

It’s Carol! It’s a happy reunion that turns bittersweet when Carol sees the baby and realizes Lori is dead. Tears!

Then, back to Michonne. Rick demands to know how Michonne found them, and I was sure she’d tell them about Andrea. But, she doesn’t, instead telling them about Glenn and Maggie’s capture and how she overhead them saying the prison was a straight shot. She tells them that the kidnapped pair are most likely in Woodbury, and the men make an easy decision for a rescue. Rick, Daryl, Oscar, and Michonne (Hershel sewed up her thigh.) set out.

Before they leave, however, Rick becomes a dad again, talking to Carl away from the others and comforting him about Lori’s death. Yay, Rick! FINALLY. Of course, Carl will still feel terrible that he had to shoot Lori to prevent her turning, but I’m sure his dad’s acknowledgement of what happened will make it easier.

They also decide on the name Judith for the baby. Carl’s third grade teacher? Huh.

They leave the prison in the hands of the weakest among them: Hershel, Beth, Carl, Axel, and Carol. Judith, too, but she totally doesn’t count. I’m not saying that Carol and Carl couldn’t hold their own…for a while, but still…Yeah. I’m saying they couldn’t hold their own for long.

Parking about a mile away from Woodbury, Michonne leads Oscar, Rick, and Daryl into the woods, so they can sneak up to the town. Rick, getting all his good guy/good dad stuff out of the way, thanks Daryl for stepping up while he went a little nuts and cleaned out a cell block of walkers (Remember Crazytown?). They share a comradely head nod. Very manly.

All of a sudden, walkers are everywhere! Rick decrees no guns, and they start hacking and retreating, trying to find some place to hide. They come upon a conveniently placed cabin and duck inside to find a crazy man huddled under a blanket. The crazy guy starts making a lot of noise, agitating the walkers who are already pawing at the front door and yelling that he’s going to call the cops.

Perfect! Rick says that he’s a cop and offers to show his badge. When did he start carrying his badge again? PSYCH! Rick grabs crazy guy’s gun, and crazy guy goes for the door. But before he can open the door to let in the mini-horde on the other side, Michonne kills him with her katana. STAB!

But, how to get the group away safely? Simple! See, there’s a convenient back door, so all they have to do is throw crazy guy out the front door and escape out the back. He hasn’t turned, yet, so they chuck him out and dash away. (BTW, why are there varying turning rates? I smell a plot device…)

In Woodbury, Andrea gets a job (in addition to boinking TG). TG wants her to hang out with Milton in his research lab, where a Mr. Coleman is dying. We’re supposed to think it’s from old age, and, sure enough, the guy looks old, but I’m suspicious of what Milton is ladling into Mr. Coleman’s mouth. Suspicious, I say!

Milton is trying to find a way to control walkers. Mr. Coleman actually volunteered, because he knew he was dying. So, Milton runs him through a series of memory exercises starting with auditory cues (a bell and a song). He also shows him pictures of family.

When Mr. Coleman finally dies, he’s strapped down in preparation for his turn. Andrea is skeptical FOR ONCE, but stays close to assist should something go awry.

When they’re sure Mr. Coleman has turned, Milton starts the memory exersises and is convinced it’s working on the dead guy. However, the restraints are obviously hampering Mr. Coleman’s participation, so Milton lets one of his arms go against Andrea’s warning. Sure enough, Mr. Coleman tries to eat Milton’s face. Luckily, Andrea is on her game and swiftly stabs the old guy in the head, ending the day’s research.

((UPDATE: I’m almost ashamed to say that there was a part of the show that I missed! I have no idea how it happened, and I’m going to blame it on a combination of my DVR and my son’s unwillingness to go to bed on time. Suffice it to say, there was a scene with TG and Maggie that I didn’t see. Here’s a description from AMC:

The Governor decides to question Maggie himself.

The Governor cuts Maggie’s bonds and offers to return her to her group. When she gives him the silent treatment, he orders her to remove her shirt and bra. He unbuckles his belt, sidles close, shoves her head against the table and leaves.

Now, back to my recap!))

Merle doesn’t play nice! Image courtesy of AMC.

Meanwhile, Glenn is still being beaten to a pulp. He remains resolute in his silence, however, and Merle seems to give up. Not that that will save Glenn, though! Merle brings in a walker and turns it loose! Glenn is still duct-taped to the chair, but he manages to get away, kicking the walker back and stumbling around, pushing stuff over and in front of the walker. He ends up breaking apart the chair and stabbing the walker at the last minute. The DRAMA!

Merle comes back with a minion, TG, and…Maggie! She’s still shirtless, braless, and covering herself but doesn’t appear to have been brutalized. I assume they left her in this state to demoralize and humiliate her. But, it’s clear she still hasn’t given up anything when TG again asks where their group is, holding a gun to Maggie’s head. Glenn hesitates and TG shifts his aim, crossing to hold the gun to Glenn’s head.

Maggie breaks, telling them about the prison and how many are in their group. TG allows her to run to Glenn, and he, Merle, and the minion leave to discuss what to do.

TG tells the minion to get a group together to scout the prison, and Merle, of course, wants to go along. But, TG is cautious of Merle, questioning his loyalty. Would he side with his brother or stay true to TG and Woodbury?

Merle declares himself for Woodbury, and TG seems satisfied. It made me wonder what TG has over Merle. Is TG just the alpha dog? Or is there something more?

As night falls, Rick, Daryl, Oscar, and Michonne arrive at Woodbury’s walls; they hide and assess the defenses as the camera shows us Andrea walking back to TG’s rooms after her day with Milton. She seems a bit overwrought and goes for some liquor as soon as she gets to TG’s apartment. TG, ever the solicitous man of her dreams, asks about her day, and she tells him that things had not gone according to Milton’s hopes.

Andrea snuggles into TG’s chest, and he comforts her, stroking her head and saying, “It’s alright; it’s over, now.”

SHIVER!

So, where does that leave us? There’s a Woodbury group headed for the prison; Rick, Daryl, Oscar, and Michonne are about to break into Woodbury to attempt the rescue of Glenn and Maggie; and Andrea is all about TG and will probably defend him against the would-be invaders (who she won’t recognize until it’s too late!).

The mid-season finale should be a good one!

What do you think? Leave your conjecture in the comments!

 

((Featured image courtesy of AMC and can be found at http://blogs.amctv.com/photo-galleries/the-walking-dead-season-3-episode-photos/episode-7-merle-glenn.php.))

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The Walking Dead Recap/Review: “Say the Word”

So, yesterday was a holiday for me, and I took a break. Here’s a nice Tuesday extra for you! Aren’t you excited? I know you are. As always, SPOILERS abound. You’ve been warned! (It DOES say recap…)

Just so you know, I’m going to follow the pieces of Sunday’s story as they make sense to me, not necessarily how they played out on the small screen. So, pay attention, will you? There’s a flow.

“Say the Word” jumped back and forth between the prison and not-so-idyllic Woodbury. It was a satisfying mix of stories that let us keep tabs on all the main plots and bits of crazy floating around.

Speaking of cray-cray, Woodbury is in the midst of some kind of celebration. Everything is dudded up like the 4th of July, only not so much. But, this was the first time I can remember seeing kids run around in Woodbury. Maybe I’m just not that observant, but I’d like to think they were trotted out for a purpose, and I think they were. More on that later, though.

Andrea’s wandering around, talking to folks, and generally falling in love with the town. Michonne, on the other hand, is not. She’s skulking about, looking for the evil she knows is there.

Hold still! Daddy loves you! Image courtesy of AMC.

Evil, huh? Take a gander at what happens next! We’re treated to a charmingly domestic scene with The Governor (TG). He’s gently brushing the hair of his…DEAD DAUGHTER! It’s all fine and dandy (Um, not really.) until he pulls a chunk of scalp and hair away from her ROTTING HEAD.

But, it’s not like he’s totally out of his mind; at least he has his walker daughter restrained. Kinda. Not enough to suit me! She, of course, tries to BITE him, but he, being the understanding daddy, puts a bag over her head, makes sure her restraints are intact and expresses his love.

It’s frighteningly similar to how I express my love to my children.

Not really!

Maybe.

Totally kidding!

Probably.

You can see the struggle in TG’s eyes even as he struggles with the monster that used to be his daughter. I almost felt sorry for him (Darn you, AMC!). He happens to look out the window, and who is looking up at him? Michonne, of course! There’s no way she could have seen anything, let along TG’s exchange with his daughter (who we later find out is named Penny), but you know TG has just about reached his limit with Michonne.

Back at the prison, we pick up right where we left off, with Maggie holding the new baby, Carl looking distraught, and Rick losing his $hit. It’s kinda already gone, though, because he’s just staring, unable to hear what’s happening around him. Finally, his eyes lite on a nearby ax, and he goes for it. We know Rick has understandably jumped off the deep end, and I was pretty sure what he was about to do.

Sure enough, Rick begins to helpfully run amok in the prison, hacking through walkers and probably being mistaken for Chloë Grace Moretz’s Carrie stand in. It’s gory, and frankly, I was turned off by it. It felt like something from the Saw franchise. Ugh. But, at least he’s using his profound grief to do some house cleaning. Half full, right guys?

Back in the prison yard, Daryl steps up and takes control. (GO DARYL!) After Hershel declares the baby healthy, the old coot says what’s been on my mind since Lori bought the farm last week: the kid’s going to die without something to eat. Soon. Formula is the answer, and Daryl readies to go scavenging. Maggie hops on the back of his motorcycle, AKA the loudest FRACKING means of transportation in the area, and they head off down the road.

They find a daycare center fairly easily (what luck!), and get creepin’. Maggie finds some baby bottles in the first cabinet she looks in (so much luck!), and they continue into the facility’s darkened hallways.

By the way the camera kept zooming in on kid-specific decorations and creepy, deserted cribs, I was sure we were about to be set upon by a pack of baby and toddler walkers. Would there be anything more terrifying? As a mother of two, I tell you there would not be!

Sure enough, a rattling sound starts coming from the kitchen. It’s in a cabinet! Oh, no! Don’t open the cabinet! There’s going to be a flesh-eating baby in there! Daryl takes point and Maggie throws open a cabinet to find…a possum (opossum?). It looks scared, and Daryl quips that they’ve just found dinner.

Yum.

Of course, there are several cans of formula in another cabinet.

Let’s talk about the luck of this, shall we? There’s so much luck. So much. Also, I’d like to point out that the little bit of formula they found will not last that long at all. I’ve had to use formula with both of my children, and they go through it like sand through the hour glass on Days of Our Lives.

Back they roar on the loud, fecking motorcycle to the prison. Glenn is keeping an eye out for them, and Oscar and Axel open and close the gate for the motorcycle.

The prisoners are slowly being accepted into the group. That afternoon, while Daryl and Maggie were out, the pair approached Glenn as he was digging a grave. Oscar and Axel definitely want to join the group; they made overtures last week, and their quest continued in this episode when they expressed their sorrow for what had happened. After a time, Glenn bends and accepts their offers of help, telling them that two more graves need to be dug.

Why was Glenn digging in the first place? For the three members of the group who supposedly died in last week’s episode. I say “supposedly” because while Lori and T-Dog are most certainly dead, Carol is still MIA. I don’t think she’s dead. Do you? Also, it’s not like they have bodies to bury. It was more symbolic than anything.

After he leaves the prisoners to dig, Glenn confides to Hershel that he wishes the group had just killed all of the prisoners when they had first discovered them. I don’t mean to insinuate that Glenn doesn’t like Oscar and Axel. After all, Glenn’s pretty easy going overall. But, he regards the people they’ve lost more than the people he’s just met.

It’s during this time that we actually get some backstory for T-Dog! Now that he’s dead, we find out a little more about him.

Nice.

Apparently, T-Dog was a pretty upstanding guy. Last week, we found out he was religious as he accepted his fate and tried to protect Carol. This week, we got a little more of that as Glenn revealed that T-Dog had driven a church van to try to help some old folks after the walker outbreak. It was a nice send-out for a great character we barely knew.

Later, Glenn goes in search of Rick. It’s not hard to find him; Glenn just follows the mangled walkers to find Rick at the end of a hallway, half in shadow and covered in blood and bits of walker. It was very Luke Skywalker battling against the Dark Side. When Glenn tries to reason with Rick, the crazed man pins him to the wall, and then throws him back, ignoring Glenn’s offers of help and assertions that Rick doesn’t have to do this alone. Rick staggers on, leaving Glenn to return to the group.

The positive here is that Rick is slowly ridding the prison of walkers. Everybody wins!

When Daryl and Maggie arrive with the formula, the baby is screaming her head off. Babies don’t wait well. After a brief discussion about what the baby’s name should be, Daryl christens the baby “Little Ass Kicker.”

I gotta say, that wouldn’t have been my first choice, but, hey, I guess I’m not in a walker apocalypse, so who am I to judge? Yeah, here’s hoping they come up with a real name, soon.

It was nice to see Daryl taking such a keen interest in the baby, though. I wanted to think it was because he felt a certain kinship with her; she’d been abandoned by her parents, rather like he was abandoned by his. We’ll see how that pans out.

In Woodbury, the celebration continues. They never come right out and say what’s being celebrated, but you get the idea it’s a party to celebrate survival. I can get behind that.

While Andrea is off drinking the Kool-Aid, Michonne decides to poke around TG’s personal quarters, recovering her katana (finally!) and finding a notebook with a list of names followed by pages and pages of odd hash marks. The last name on the list is Penny, and while Michonne doesn’t know who Penny is, she surmises it’s someone important.

You know she’s about to find the real Penny because she hears TG’s walker daughter in the next room. You just know she’s gonna hack her little head off! But, no such luck! The evil trinity (TG, Merle, and Milton) enter and set about gathering some supplies for the party, I assume. Michonne ducks in the next room to avoid detection and listens as Milton asks TG to postpone the evening’s festivities. Milton wants to save the power for an upcoming experiment. They’ve been using the generators and (one must assume) plenty of fuel all day for the celebration to cool drinks and provide various creature comforts, and Milton wants to conserve. But,  TG denies the request, saying the town needs the entertainment.

After they leave, Michonne escapes and wanders into an area we haven’t seen before that looks like a mini warehouse district. Why this is in Woodbury, I have no idea. It seems out of place, and as Michonne explores, she comes on some captive walkers. Looking pleased, Michonne releases the walkers and steps back, readying her katana.

Hack! Slash! Stomp! Splat!

Michonne takes down the walkers, but, of course, she gets caught by someone with a bucket of walker chow. You don’t see who it is, but I think it was probably Merle coming to “feed” the walkers.

You’re supposed to wonder why TG is keeping walkers, but since we’ve already seen his unhealthy obsession and curious aquarium exhibit, I just chalked it up to one of Milton’s experiments. Or, could they have something to do with the list that Michonne found? I wondered if these walkers were perhaps former Woodbury residents. Hmmm…

I was wrong.

Michonne is taken to TG for some good old fashioned scolding –jr. high. principal style. She takes it up to a point, because TG has HER point (katana). There are some tense moments of conversation, and at one point, Michonne mentions Penny, throwing the name out there to test the waters and to see if TG will reveal anything.

Penny’s obviously a secret, but from whom? Do the other members of the evil trinity even know about her? The way TG reacted has me thinking that they don’t. But, he figures out Michonne is largely fishing and pushes on.

When TG proposes Michonne join the “research team,” Michonne finally makes her move! She whips around, grabs the blade, and holds it to his throat.

(DRAMATIC INTERLUDE)

Research team? Does this have something to do with Mad Milton? Maybe. Milton’s with Merle and several others on the research team when we see them out in the field gathering more walkers from a pit. It’s obvious that they trapped them on purpose, but it’s unclear what they’re going to do with them. We do know, however, that they’re being gathered to replace the ones Michonne disposed of.

When the research team begins to pull out the walkers’ teeth, my husband mentions that the walkers Michonne just put down didn’t have any teeth, either. Huh! I hadn’t noticed that…

(END OF DRAMATIC INTERLUDE)

Michonne presses the katana to TG’s throat, making you wonder why she just doesn’t go ahead and kill him. I counseled her to do so, but she didn’t listen. Do they ever listen? Then, she backs out of the room and goes to gather her gear, intent on leaving Woodbury.

Meanwhile, TG tells Merle to bring Andrea to him. Merle obliges and stupid Andrea breezes in, wide-eyed and ready to believe whatever TG feeds her. He doesn’t go into a ton of detail, but tells Andrea that Michonne just isn’t fitting in. Andrea’s gotta talk to her, gotta get her under control, or she could be asked to leave.

Andrea, who definitely has a crush on TG, tries to reason with Michonne, but Michonne sticks to her guns and convinces Andrea to pack up as well. As they approach the town gate, Merle stops them, confirming Michonne’s complaint that they are not actually free to go. But, after a few moments, Merle opens the gate and invites them to go if they wish.

Michonne takes him up on his offer, and strides out after a terse exchange with Andrea. Andrea balks and stays behind.

Stupid, stupid Andrea.

After night falls, the town’s celebration is all set to commence. The people of Woodbury stream into the same area where Michonne killed the walkers. I had to wonder if TG was planning to kill them all! Oh, sick! There’s kids and everything! Why do I watch this?

But, the people instead sit on bleachers and wait for the entertainment to begin. The area is well-lit and music blares from unseen speakers. TG is with Andrea and guides her to sit on the bleachers. She looks puzzled, but doesn’t really question anything. Stupid Andrea.

Then, walkers are staked in a circle, and stupid Andrea finally begins to realize something is very wrong. Merle and a cohort come out and start to fight in the ring of walkers, and she finally begins to question TG about what is going on. FINALLY.

Merle and the other guy start beating the crap out of each other, and the crowd goes wild while the walkers strain against their bonds, trying to get at the fighting men. Talk about a death match! Kids are hoisted up so they can see; it’s a real family affair.

Andrea tries to leave, but TG stops her, telling her that this was a good way for the people to let off some steam. Besides, it’s really just staged because the walkers don’t have any teeth. Oooooh! So, that’s why the research team was pulling out walker teeth. Gross.

Andrea still wants to leave, but TG makes her stay, and she realizes that perhaps Michonne had been right all along.

Dun, Dun, DUUUUUUUUUN!

Of course Michonne has been right all along! Gosh! I haven’t even read all of the comics, and I knew that! You can just tell by TG’s creepy smile and voice (that reminds me of Liam Neeson) that he’s a bad egg. Plus, we’ve got some pretty good evidence: Exhibit A – Walker Head Aquarium; Exhibit B – Slaughtering Nice Military Men; etc.

Dead walker is dead. Image courtesy of AMC.

“Say the Word” wraps up with a final scene with crazy Rick. He’s finally made his way to the room where Lori died, and looks for any sign of his dead wife. He sees a trail of blood and follows it to a bloated walker, too engorged too move. The creature sits against a wall, and, at first, I thought it was walker Lori because the camera zoomed in on the big belly.

Gosh, I’m glad it wasn’t Lori.

But, apparently, it did EAT Lori, hence the large stomach. Rick figures that out, too, and takes out his rage on the walker, shooting it in the head and stabbing it repeatedly in the stomach.

I thought he was going to try to carve what was left of Lori out of the walker, but that went out the window as Rick stabbed and stabbed.

Finally, spent from his rage/grief fit, Rick drags himself away and sits against an opposite wall to stare at the walker that ate his wife. He starts to hallucinate and hears a baby cry. Strange, but understandable considering he’s basically abandoned his newborn daughter. But, stranger still is want happens next: a nearby telephone begins to ring. The sound snaps Rick out of his reverie and he moves to answer the phone. Makes sense to me! I’d probably answer a ringing phone, too.

The episode goes to black with Rick’s “Hello?” into the receiver.

So, who was on the phone? Was it even real or was Rick still hallucinating? Will “Little Ass Kicker” ever get a real name? Is Andrea the biggest moron ever?

Gah! So many questions!

What did you think of this week’s episode? Hit me up in the comments!

 

((Featured image courtesy of AMC and can be found at http://blogs.amctv.com/photo-galleries/the-walking-dead-season-3-episode-photos/episode-5-michonne.php.))

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The Walking Dead Recap/Review: “Killer Inside”

If you’re new to the Interwebz, I suppose you wouldn’t know that I’m about to talk all up on the latest episode of The Walking Dead. So, here’s your warning. Also, go crawl back under your rock. SPOILERS!

I don’t want my son to have to shoot me in the head. Is that too much to ask? I don’t think so. After last night’s episode, I told my husband that he better do the deed. I don’t want my son to put me down. No, thank you.

Holy crap! What an emotional episode! Lori’s dead, T-Dog’s dead, we don’t know if Carol made it, and there’s a newborn who will soon be a itsy bitsy walker (crawler?) if they don’t find some way to feed her.

I am not ashamed to say that I cried during “Killer Inside.”

Let’s start from the top, shall we?

A mysterious hunter drags a dead dear by the camera. Gross. You can’t see the hunter’s face, but the pants look like the lower part of the prison coveralls. Next, we see the coveralls leaving parts of the dear around what looks to be the prison yard. A couple of walkers take the bait, and coveralls dashes past them to hack open a chained fence. He places a bloody heart in the opened gate, the music comes up and under and they cut to the opening credits.

Ominous!

Rick and the others (minus Lori, Carl, Beth, and Hershel) are trying to get the prison yard more organized. They want to get the vehicles arranged in case they need to make a speedy getaway, and the walker bodies strewn about need to be dealt with. So, they busy themselves, tidying up what is to become their safe home.

Before they start, however, they invite Glenn and Maggie to join them. The couple has been using the guard tower for a little bom-chicka-wow-wow, and Glenn exits tugging on his pants, this show’s only brief moment of levity.

The two remaining prisoners, Oscar and Axel, approach the group, asking to amend their deal. They’re literally sick of living in the other cell block alone, having to deal with all the bodies of their former friends. After a short discussion, T-Dog voices his favor of allowing the men to join them. Rick remains firm, though, and tells the prisoners they can stick to the deal or hit the road. Go, New Shane!

The prisoners decide the road would be better, and preparations to see them on their way begin.

Back in home sweet Cell Block C home, Hershel is starting to get up and hobble around on crutches. That should mean that a couple of weeks have passed, but I’m not so sure that’s the case judging from Andrea and Michonne’s story arc in scary, too-good-to-be-true-why-the-heck-won’t-Andrea-listen-to-Michonne Woodbury. But, more on them later.

The proverbial crap hits the not so proverbial prison when a siren starts to sound at the prison. Suddenly, walkers are everywhere, drawn by the sound. But, not only are they gathering on the outside of the prison fence, but, inexplicably, walkers are now swarming the inside of the prison as well, most likely due to the cold open of coveralls opening the gate. Plus, I’m thinking that other doors and fences all around and in the prison were intentionally opened to let in the dead.

By this time, Hershel’s little hobble walk has taken him, Lori, Carl, and Beth out into the yard. Of course, they don’t see the walkers until the shambling dead are almost upon them. And the siren didn’t start to sound until they were outside the relative safety of their cell block. Of course!

Rick, Daryl, Glenn, Maggie, T-Dog, and Carol rush back to the prison yard followed by the prisoners.

“Lori!” Rick yells, scared for his wife. And, I’m so glad! The episode before last had the pair at distinct odds, and Lori was sure their marriage was over.

Rick’s group starts shooting and cutting down walkers, and the prisoners hang back. I mean, you can’t blame them, though. It’s not like they have any weapons! The two seem to be good eggs, but I know you’re supposed to be doubtful. After all, someone had to let the walkers in and turn on the siren. And that someone definitely had prison coveralls on!

Rick must think like me because he immediately starts to suspect the prisoners. But, at the moment, there are more pressing matters trying to eat his loved ones. Oscar and Axel deny any involvement with the siren and influx of walkers, but Oscar offers that someone must have turned on the back up generator. After shooting out the nearest siren speakers, Rick and several others head inside to find the generator.

In the craziness, the group is scattered and separated. Hershel and Beth barely make it into a fenced in area around a door. Maggie, Lori, and Carl escape back to the cell block only to find it overrun! They turn into the bowels of the prison, desperately trying to find a safe haven. Walkers are everywhere!

Then, Lori starts to go into labor.

ARE YOU KIDDING ME?!

Of course you’re not kidding me, AMC. You like to see me like this, you sadistic creep!

Carl finds a safe room, and Maggie prepares to help Lori deliver. But, something goes very wrong and Lori starts bleeding out of her hoo-hoo. I’ve given birth before, and I’m pretty sure blood before a kid is a bad thing. Yeah, it is.

Lori tells Maggie that she’s going to have to cut her open and get the baby out. It’s the only way to save the baby. You get the feeling that if Maggie doesn’t cut the baby out, Lori will probably die anyway. Eeesh. Maggie doesn’t want to, of course. Who would? She wasn’t even the one who was practicing for this! Carol was! Oh, Carol where are you?

T-Dog, look behind you! Nooooo! Image courtesy of AMC.

Carol and T-Dog are also in the prison after escaping the walker-infested yard. But, T-Dog’s been bitten; a walker nailed him right before he and Carol ran inside. Now, they are trying to find a place to hide. T-Dog’s struggling, but he hasn’t turned and is determined to get Carol to safety. It’s dark and the lights are flickering in a very horror movie-esque manner, and we see a pair of approaching walkers’ shadows trundling toward them. With a yell, T-Dog barrels into the two walkers, moving them out of the way to let Carol escape through a nearby door.

It was very heroic, especially for a character who didn’t have a real name or ANY KIND of a back story. You were robbed, T-Dog. Rest in pieces.

TIME FOR A SUSPENSE BREAK!

Meanwhile in Woodbury, Michonne is busy not trusting the Governor (TG). She wanders around the new military vehicles that TG and his men brought back, noticing bullet holes and looking suspicious. TG approaches her, obviously trying to win her over. Honey Badger Michonne don’t care. The women are about to leave, anyway.

Andrea, on the other hand, is getting to be more and more all about TG. She has drinks with him, and he reveals that his real name is Phillip. Aww! So, he’s totally a good guy, now, right? Too bad she and Michonne are leaving…

Not really. They aren’t leaving, of course. Andrea wants to stay for a couple more days. Michonne doesn’t, but for some reason, she hangs around to be with Andrea.

Pffft!

Andrea meets Merle and hands over a map. She’s circled where the farm is and confides that she’d want someone to do the same thing if her sister was still alive. They bond over hurt feelings of being left behind and then Merle, ever the gentleman, propositions her. Classy! She brushes it off and walks away. He leers.

Merle then approaches TG, asking to take a couple of men to look for Daryl. TG doesn’t want him to go, saying that Merle is needed in Woodbury. However, if Merle were to get more concrete information about Daryl, TG himself would join the search party.

NOW, BACK TO THE PRISON!

Rick, Daryl, Glenn, Oscar and Axel are on a mad dash to find the back up generator. They have to get the power off, so the siren will stop. Once they reach the room where the generator is, Rick begins to wildly search for the right switch.

WATCH OUT, RICK! It’s Andrew, the prisoner we all thought was dead after Rick left him locked outside with a bunch of walkers! Andrew is a bit upset and tries to chop Rick with an ax. He misses, and Rick tries to shoot him. Rick misses. WHAT’S THE PROBLEM, NEW SHANE? GET IT DONE!

Andrew is the one who has been causing all the trouble, opening gates, letting in walkers, and turning on the power and siren. There’s a scuffle, and Rick’s gun goes flying. Before either of them can pick it up, Oscar grabs it. Andrew yells for Oscar to shoot Rick, letting the prisoners take back their prison. A brief, nail-biting hesitation later, Oscar blows Andrew away. SHWEW! Close one, New Shane.

Rick finds the right switch with Oscar’s help and turns off the power. Then, they all rush back out to the yard.

Lori proves that she’s a good mother, after all. Image courtesy of AMC.

Back in the delivery room, Lori is trying to convince Maggie to cut her open. After she does, Lori proves that she can be a decent mother and turns her full loving attention to Carl. She tells him that he is “good” and to not let this terrible new world change him. He must watch over Rick and his new baby brother or sister. They’re all crying. I’m crying. I think my husband was crying.

EVERYBODY’S CRYING!

Lori holds Carl, and I’m still crying. I’m holding my sleeping, seven-month-old daughter, who I had by c-section. I’m crying. Gosh.

Then, it’s time, and Maggie takes Carl’s knife (CARL’S KNIFE), and cuts along the underside of Lori’s big belly, tracing over the c-section scar left from Carl’s birth. Lori cries out in pain but tries to hold it in before finally passing out. Maggie delivers the baby with assistance from Carl and works to get the child to breathe. A small shaky cry confirms the baby is going to live (at least for a short time), and Carl gives Maggie his shirt to wrap up the baby.

Maggie turns to leave, but stops when Carl says, “We can’t leave her here like this! She’ll turn!”

It’s utterly heart breaking.

Maggie tries to give the baby to Carl, so she can take care of Lori, but Carl refuses.

“She’s my mother,” he says.

And Maggie leaves. SHE DOESN’T TRY TO ARGUE. SHE DOESN’T TRY TO PLAY HER ADULT CARD. SHE JUST FRACKING LEAVES!

Maggie peeks out the door, sees some walkers and closes it again. Then, she hears a gunshot, and Carl comes around the corner looking completely numb. He’s just shot his mother. HE JUST SHOT HIS MOTHER! I can’t believe Maggie let him do it! She should have done it!

Cut back to the prison yard as Rick and the others make it back. He rushes over to where Hershel and Beth are still in the fenced in area, asking where everyone is. Then, he hears a baby cry and turns to see Maggie clutching his daughter to her. Carl follows with his head down.

It doesn’t take Rick long to figure out what has happened. He starts in after Lori, but Maggie confirms that it’s too late. Rick appropriately loses it, and I’m totally fine with that except for one thing: Carl. Rick should have gone to his son. True, we don’t know for sure if Rick was aware that Carl shot Lori, but he had to know the immense trauma his son had just experienced. The boy’s mother had just died, and Rick can’t give him a hug?

Bad form.

That’s where “Killer Inside” ended. It was abrupt, terrible and awfully good television.

“Killer Inside” could have several different meanings. The first one that occurred to me was Lori’s baby. Maybe it’s because I recently just had my second child, but I couldn’t help but think that this child could be seen as a kind of killer. After all, it’s her fault her mother is dead. Rick looked to be in pretty bad shape at the end of the show. Let’s hope he doesn’t blame the baby.

The more obvious meaning refers to Andrew, the man who turned on the power and let in all the walkers. That’s pretty self-explanatory.

Then, there’s Rick. None of last night’s calamities would have befallen the prison group if he had not abandoned Andrew to the walkers in the first place. It’s all on his head, and it looks like he knows it judging from the preview for next week’s show.

What did you think of “Killer Inside?” Were there any other killers inside? Let me know in the comments!

 

((Featured image courtesy of AMC and found at http://blogs.amctv.com/photo-galleries/the-walking-dead-season-3-episode-photos/episode-4-glenn-daryl-rick.php.))

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