The visuals are amazing, the scope is epic and the music is… Hans Zimmer because Zimmer is to Nolan what Elfman is to Burton. Zimmer knocks it out of the park with the score. Chris Nolan has a way of turning interesting concepts into gripping, engaging plots that never seem gimmicky (see Out Of Time) while serving the narrative–instead of the other way around.
Granted, this is a Nolan film, which means there are plot holes. And any Nolan fan worth her salt knows romance isn’t ever a strong point. And any Batman fan knows the fight scenes aren’t all that engaging. Nolan has always been more interested in what the fight is about symbolically and literally than what it looks like. I’ve never gotten why it can’t be both, but whatever.
Nolan, true to form, creates a film that overcomes or sidesteps most of these problems while doing cool new things. Without getting too spoilery, I love the robots in this movie, aside from an unintuitively useful design (shocked they were so useful). I always get a little bummed when the machines turn evil or have a duplicitous function. I like thinking that robots can assist humanity in exploration rather than just infect us with xenomorph semen.
And there’s a lot of stuff just under the surface. Themes about family play against ideas of humanity’s abstract future, and there’s more than a hint of spiritual metaphysics playing against a very specific scientific ideas. And more than a few ideas about man’s struggle against his own inner demons. Not to mention all of the homages to other great science fiction. And that suspense, right? I was on the edge of my seat the whole movie.
So yeah, go see Interstellar.